Shot in 16 mm with an original soundscore by Frederick Reed IV, it sets the stage for a feature film project. The screenplay was optioned by veteran independent producer Ben Barenholtz ("Barton Fink", "Miller's Crossing", "Georgia", and "Requiem for a Dream"). The feature version was never realised yet. Edger Oliver, a prolific playwrite, continues to write provocative masterpieces for the stage, page & screen.